Thursday 25 March 2021

#Theatre Contextual Content Delivery Platform - Video or Movie Mirrors

In the future we might see a change in  theatres, the screens could be total electronics like a TV at home while the screen could be protected with Gorilla glass and even could roll itself up or down or stationary.  The movies could be streamed from a local mirrors that is a local proxy with cache, security,on premise and streamed from a local server node(stub) in the vicinity. Every new release would be an update to the local vicinity servers(Private area network nodes or theaters or local proxies at theatres ,  the PAN could be district wise for easy distribution, connected to state PAN, connected to Country wide PAN / CDS connected to international or continent wise PAN or CDS network or providers like Amazon, Google, Whatever and other potential Content Delivery Systems platform providers who could set up  such a network of theatres that addresses these important aspects of theatre distribution rights, accountability, timely release, availability, production House rights, distribution rights, distribution and theaters booking accountability. The screen could be a hybrid screen where in movies can be streamed as we watch at home on TV and also for fail safe switch over the operating mode switches to the present generation projector mode.

1. Piracy
2. BIill of materials invoice
3. Movie Distribution rights accountability, audit trail, tax compliance, County taxes, transaction charges and taxes, distribution region(s) rights taxes, state taxes, DTAA double taxation avoidance agreement, streaming taxes, country taxes, continental taxes,UN taxes and so on...
4. The CDS providers would take care of the necessary backbone network through local and remote proxy data centers
5. The screens would be automatically upgraded by CDS
6. The complete taxation of distribution rights would be handled by CDS
7. The theatre seats would be lighted with seating arrangements as per booking information that includes the Names of the viewers being displayed on the seat, on arrival for every show, it provides colour coding seating arrangements.
8. The booking would only be allowed as per the viewers discretion or censor certificate via Individual Identity authentication or via booking platform's user profile settings with OTP authentication.
9. The users could validate online(eAuthentication, digital certificate) or offline via their identity cards.
10. The profit and loss accountability or statements of importance from the perspective audit, tax laws for each party involved in the Theatre Content Delivery Platform to be provided by the tech giant's like Amazon, Google, Whatever, Microsoft, Netflix, YouTube and so on...
11. Book a or any movie corporate special outing bookings.
12. Book a or any movie from any social or societies or place of worship.
13. Movie release, distribution, theatre, CDS network nodes, network, bandwidth, Speed, the earnings from the movie all is insured by CDS for loss.
14. The fail safe, fault tolerance, recoverable, availability so much importance to ensure 99% or 99.99% availability.  The CDS network nodes,redundancy network, bandwidth, Speed, streaming consistency so well precise they meet at least 98% availability in the Electronics mode or TV mode. 
15. Modes of screening could be Streaming local Proxy, Streaming remote proxy, Projector mode traditional screening, Digital projector mode Screening, Digital screens and so on...

An idea worth a business consideration.

Number of theatres in India, by State
https://www.qubecinema.com/qube-all-india-theaters-list

Primarily a more appropriate data,

http://filmfederation.in/singlescreen.html

What do we think or say about this idea or suggestion?

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